The MMAA was founded as an art school in 1927, when it formally incorporated as The Saint Paul School of Art. Collecting works of art, for instructional purposes, began in the late 1930’s. Over time, the acquisition of additional paintings, works on paper, sculpture, and studio crafts expanded the School’s collection and, in 1969, the then Saint Paul Art Center was renamed the Minnesota Museum of Art. By the early 1980’s, the institution’s primary emphasis had shifted to exhibitions and research while still providing popular education programs.
Planetarium audiences can now experience immersive high-tech adventures in a true 360 degree theater.
The mission of the University of Iowa Museum of Natural History is to inspire in visitors of all ages understanding and a sense of wonder, discovery, respect and responsibility for our natural and cultural worlds through exhibits, programs and collections, as well as through links with UI research and activities.
A large regional science museum located on the banks of the Mississippi River in downtown St. Paul. The Science Museum's programs combine research and collection facilities, a public science education center, extensive teacher education and school outreach programs, and an Imax Convertible Dome Omnitheater to provide science education to our audience of more than a million people per year.
The museum is dedicated to preserving our rich agricultural history and rural heritage. The collections and exhibits depict technology, crops, and livestock. In addition the exhibits examine human experiences, institutions, and cultures that were shaped by the state's rural landscape and diverse environment.<br> Located on the campus of South Dakota State University at the corner of Medary Avenue and 11th Street the museum is open and free to the public.
The North Dakota Museum of Art collects contemporary, international art in all media starting with the early 1970s (the founding of the Museum) onwards. It collects the visual history of the region. It is also assembling a survey collection of contemporary Native American art, starting with the early 1970s when the movement emerged. This does not preclude the acceptance of collections that are outside this focus if they would enrich the visual life of our audience, i.e. a historical textile collection.